各界品牌SPRING ／Fall ０７－０９男装典藏（Renew*）1~34页

头大

全看了，辛苦楼主了。。支持。。

泪铭

很好的东西,不支持都说不过去,加油

sunflower6300

3.Burberry Prorsum
相比之下,Burberry Prorsum这次的发布就比较素雅了.
除了几套跳跃的颜色就是高级灰.但是却是依旧的高雅.
比较喜欢,大家看吧.




















































:huaxin

sunflower6300

6.Dsquared
噔~噔噔噔!经典来啦.!!!Dsquared这次的秀我简直超喜欢!
真的是太好看啦!大家自己看吧.那些讨巧的细节设计.
还有纯色搭配起来的那种感觉,真是不言而欲!








































:kubi

sunflower6300

7.Etro

Etro向来都是玩弄色彩的,这次似乎表现的不是那么明显.
但是在设计上比较考究,显示了男人的高雅面又不失休闲.
大家还是看看吧!

e4f

:huaxin :sese :jingya :jiao :kule

e4f

顶顶顶顶顶顶顶顶顶

sunflower6300

8.John Galliano

January 26, 2007

“I’m electrified,” John Galliano said after his menswear show, and he did indeed look zapped with energy. No wonder—a few days before, he’d presented a Madame Butterfly–influenced couture collection for Christian Dior that had been acclaimed as one of his best, and here he was offering up an entirely different but equally stunning take on Japanese culture. In a season that has already gazed into the future and found it wanting, Galliano took the ultimate dystopian hero—Mel Gibson’s Road Warrior—and gave him a samurai spin.

The result was so spectacular as to defy any kind of critical evaluation of its individual components. Yes, there were extraordinary fabric treatments, such as the hand-painting on otherwise relatively restrained tailored items, or the brocading on the sleeves of a suede sweatshirt, or the ruching and distressing of everything else. And yes, there was a play with proportion, which dictated huge over fitted, or short over long. But confronted by fashion tribalism this savage, the only sensible option was to suspend all critical faculties and savor the ride.

Fans of metal apocalyptists Slipknot would effortlessly relate to the masking, the distortion, the primal throb of Galliano’s collection. For the rest of us, there was an eye-popping trawl through the wreckage of Western civilization. Cormac McCarthy might clap at the parade of cannibal boys in crowns strung together from bits and pieces of trash, or the mannequins transmogrified by exploding skeins of wool and streams of oil. Galliano said he’d been inspired by a cache of Irving Penn photographs of Peruvian tribespeople he discovered in Buenos Aires. The fact that he attached the inspiration specifically to a passage of his otherwise-prosaic underwear shows that there can be a business method behind the showman's madness.

— Tim Blanks

这可是新鲜出炉的呀．虽然迟发了两个月:biti
不过这次的John Galliano 到是没有给我多少美的感觉．震撼是每次都有的．
废话不多说了，大家自己看吧．反正每次他夫人发布争议都很大！

























































:shitou

sunflower6300

9.Louis Vuitton

January 26, 2007

With the Eurythmics on the sound track and Annie Lennox’s signature red slickback on the models, you could hardly fail to spot the sleek eighties subtext in the latest Louis Vuitton collection. Unless, of course, your head was swimming with visions of David Bowie in The Man Who Fell to Earth, the movie that preceded Lennox by a decade and inspired her android fabulosity. Vuitton menswear designer Paul Helbers surfed this retro-futuristic wave with a collection that subtly combined tech and trad, hard and soft—hence the appearance of a Mitteleuropa black leather cape and fluoro-orange trainers on the same catwalk.

This play with contrast has been an evolving theme in the Vuitton men's collection—two seasons ago, it was about nylon and chinchilla, here it was nylon and silk velvet. The label’s signature colors were reconfigured as a geometric patchwork for a nylon parka. The velvet showed up as jackets, waistcoats, and—best of all—shoes that, in an ideal world, would be mandated footwear for all public officials.

After the show, Vuitton design honcho Marc Jacobs tipped his cap to Helbers, praising the collection’s dégradé effects. (In one outfit, these ran spectacularly through jacket, sweater, pants, and shoes.)

But the potential genius of Vuitton’s menswear is that it can also offer something as “basic” as a tan-leather-trimmed shearling to a man with money to spend and a taste for big-brand luxury.

Louis Vuitton这次没有给我们太多的惊喜．但是还是有喜欢的。
传统与创意搭配完全挑战，色彩很舒服.
几种亮色和灰色和黑色搭在一起，效果突出．

sunflower6300

10.Yohji Yamamoto

January 26, 2007

Yohji Yamamoto straddles worlds as a designer. Never mind Paris–Tokyo, there’s the broader issue of the ambiguous, ever-evolving relationship between Japan and the rest of the planet. His latest menswear collection distilled those tensions into a face-off between the dark-toned restraint of his signature tailoring and the carnal release of graphics that drew on the work of classic comic artist Shotaro Ishinomori. Thus, a linen coat with tails flying in Yohji’s typically Edwardian silhouette spun to reveal a back panel knitted with a naked Salome figure.

The collection was very much about that divergence between the face one shows to the world and the truth behind it. Nothing was quite what it initially presented itself to be. A khaki tail coat devolved into a panel of jacquard knit; trousers and coats were transformed by trompe l’oeil knit extensions. The show as a whole swung through distinctly schizophrenic moods—here a Nehru collar underneath a chic satin-lapelled jacket, there a frock-coat-and-cropped-pant combo in red felted wool. (The latter suggested the Artful Dodger enlisted in Napoleon’s army.)

It made for an intriguing spectacle. Quite what it had to do with the way modern men want to dress was altogether another matter, though the athletic-striped, knit-cuffed pants in indigo denim offered an infinitely desirable alternative to track pants for the man whose sporting prime is behind him.

Yohji Yamamoto 每一次的秀都不能缺少黑色，还有Yohji Yamamoto 的红色．
在加上幽暗的蓝色．使得Yohji Yamamoto每次的秀都很学院派，让演艺的模特
也多了很多艺术家的忧郁