克林姆特和Michael Parkes

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等候 Waiting1994, oil and pencil on paperboardQuote: In all ages and cultures the egg represents a beginning of a new creation. The medieval community could not envision life at the height of the Renaissance, as we also cannot imagine what we will be in 200 years. To ensure a positive outcome we all must protect the seed, symbolized by the egg. The mental level (the dwarfs), our physical being (the tiger), and our spirituality (the angel), are all equally responsible for the future. 等候1994,paperboard 上的油和铅笔引证: 在所有的年龄中而且耕种蛋表现新的创造开始。 中古的社区以文艺复兴的高度不可以想像生活,如同我们也不能够想像我们所将会是在 200 年内的一样。 确定一个肯定的结果我们全部一定保护种子,被蛋象征。 心智的水平 (矮子), 我们的实际实在 (老虎), 和我们的灵性 (天使), 全部相等地有责任对那未来



魔术春天 Magic Spring1997, oil on canvasQuote: The idea of Magic Spring is similar to that of Waiting but the symbolism is slightly different. In the shadow of the rock, the tiger (our animal instincts) focuses on his job as guardian. Meanwhile the very small light of the candle fascinates the dwarf (our ego) while only the angel contemplates the real light. 魔术春天1997,在帆布上涂油水于 魔术的春天主意等候与～类似那但是象征是些微地不同的。 在岩石的图像中,如监护人的在他工作之上的老虎 (我们的动物本能) 焦点。 当只有天使注视真正的光时候 , 同时腊烛的非常小的光令人入神矮子 (我们的自我) 。



最後一个狮子星 The Last Lion1997, oil on canva1994, oil on canvasQuote: After millions of years the king of beasts exists, but only just. It is said that each animal species has a protective guardian. Here she is the deva of lions, the one who has for so long nurtured them as they grew into their stature of grandeur. He is dying, the last lion. What do those angel-protectors do when the last of their species is gone? What must she feel, waiting for her last son's breath on earth? 最後一个狮子星1997,在 canva1994 之上涂油水于在帆布上涂油水于 在数百万年之後畜牲的国王存在, 但是唯一的正直。 据说每动物种有一个给予保护的监护人。 她这里狮子的 deva, 那一谁有为如此长当他们成长进入他们的庄严身材之内，养育了他们。 他是死亡,最後一只狮子。 当他们的种最后者走了的时候那些天使- 保护者做什么? 她一定感觉什么, 候补为她最后的地球上的儿子呼吸?



信 The Letter1981, oil on woodQuote: The theme is based on the fairy tale, "The Little Mermaid," the story of a mermaid who leaves her world to be with the one she loves. Yet the sacrifice is in vain and she returns to her aquatic home. 信1981,在木材之上涂油水于 主题以～为基础神话故事,"小美人鱼 ," 留下她的世界是由于一个她爱的美人鱼的故事。 然而牺牲是徒然，而且她回到她的水生动物回家



母马 The Mask1982, oil on woodQuote: Everything in a Michael Parkes painting can probably be seen as a symbol or metaphor. Yet if you look at nature, you will see that ALL things can be seen as symbols and metaphors. What they do, when combined in a single atmosphere, is just that, create an atmosphere. The 'mask' is off. She is simply being, in a place beyound metaphors and symbols. 母马 Imbrium 的战争1983,在木材之上涂油水于 "当我是一个孩子并且在月亮看起来向上的时候,它是一个令人惊奇的地方，充满仙女的世界和天"。 月亮上的巨大海洋平原之一叫做 '母马 Imbrium' 。 当我们比较年长了的时候, 战争是到尝试而且保存我们的孩子似的奇迹感。



LOTUS The Lotus1979, oil on woodQuote: There are basic building blocks in matter that are the beginnings of life. In The Lotus, the guardians are protecting and organizing these elements on a new planet, still in the early stages of its development. The most important of these elements is symbolized by the red lotus, the spark of consciousness. LOTUS1979,在木材之上涂油水于 有基本的在是生活的开始物质中建筑区段。 在 LOTUS 中，监护人正在保护而且组织新的行星上的这些元素,在它的发展早阶段中安静。 这些元素的最重要的被红色的 LOTUS 象征,意识的火花



等待爱丽丝 Waiting for Alice1983, oil on woodQuote: "My name is Alice so please your Majesty," said Alice boldly, for she thought to herself why, they're only a pack of cards! I needn't be afraid of them!" Lewis Carroll When Alice in Wonderland was written, it was for a child who was able to respond to the fantasy and intuitively understand the symbolism of the gift from Lewis Carroll. 等待爱丽丝1983,在木材之上涂油水于 "我的名字是爱丽丝因此请你的最高权威,"爱丽丝大胆地说,因为她对她自己想为什么,他们只是一群卡片! 我不需要害怕他们!"路易斯 Carroll当在奇境中的爱丽丝是书面的时候,它是对一个能够回应幻想并且直觉的了解来自路易斯 Carroll 的礼物象征的孩子。



天鹅湖 Swan Lake1982, oil on woodQuote: There are bodies of water placed between Time's chain of longings, where all beings celebrate Nature's manifestations. Swan Lake is one such place. It is where one can be fully gentle, without arrogance and without aggression, participating in the brilliance of this realm. 天鹅湖 1982,在木材之上涂油水于 有被放置在时间渴望的链之间的水身体,在所有的实在厌祝自然的显示地方。 天鹅湖是一个如此的地方。 它是一可能是完全温和的地方,没有傲慢态度而且没有进攻,叁与王国的卓越



天鹅湖 Swan Lake1980, oil on woodQuote: In this early Swan Lake, one can almost imagine the artist looking for that world within. He knows it is there, but at this moment it is unattainable. The girl has announced the search by blowing the trumpet. And the sea is lifted up as if someone has been searching beneath it. In certain Hindu texts the swan represents the soul. Here it follows her... waiting. Yet the time is not ripe. For if you look at her face, it is still unformed and full of youth. 天鹅湖 1980,在木材之上涂油水于 在这个早的天鹅湖中，一能几乎想像艺术家在里面找寻那个世界。 他知道它在那里，但是在片刻它是难到达的。 少女有藉由吹喇叭宣布搜寻。 而且海洋被举起好像某人在它之下有寻找。 在某印度的本文中天鹅表现灵魂。 这里它跟随她。。。 等候。 仍然时间不成熟。 因为如果你看着她的脸,它年轻人仍然未成形和充满。

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创造 The Creation1989, oil on canvasThe Creation is a rather lighthearted painting. It is meant to be tongue-in-cheek, almost the flip side of Michelangelo's painting of God creating Adam. Here you find a female deity lovingly creating man for the first time, as he looks upon her with adoration. 创造 1989,在帆布上涂油水于 创造是一宁可 lighthearted 画。 它必须不认真, 几乎米开兰基罗上帝创造亚当的油漆唱片的 B 面。在这里你钟爱地找女性的神第一次创造男人,如同他在她之上用 崇拜看一样

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