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2018天津师范大学美术与设计学院毕业生作品发布会

2018-5-18 13:23    发布者: 织梦人

2018天津师范大学美术与设计学院毕业生作品发布会
“有形亦无形”
 


  2018年5月17日,天津师范大学美术与设计学院服装与服饰设计专业2018届毕业设计发布会在北京751D·PARK第一车间举行。本次主题为“有形亦无形”。意为作品有形,而创作思维的延展则无形、无限。这也是服装艺术系本季设计作品的内在核心,引导学生们将四年所学运用于有形作品,但同时也激励学生们以多元化的视角来汲取灵感、提炼元素,开发无限潜在能力,拓展创意思维。 

天津师范大学美术与设计学院- 吴诗


天津师范大学美术与设计学院-陈帅


天津师范大学美术与设计学院-陈思宇


天津师范大学美术与设计学院-冯胜强


天津师范大学美术与设计学院-吉嘉敏


天津师范大学美术与设计学院-蒋飞


天津师范大学美术与设计学院-孔垂陆


天津师范大学美术与设计学院-来娟


天津师范大学美术与设计学院-李豐


天津师范大学美术与设计学院-李萌特


天津师范大学美术与设计学院-李恬竹


服装与服饰设计专业发展应以教学、科研、应用、产业信息化为核心,把培养具有实践能力的学生放在首位,本季毕业作品注重主题的选取和灵感元素的提炼,并注重内在涵义的挖掘和核心精神的现实表现,强调多种材质的运用与对比,强调细节表现力,整届作品体现出学生们无限的创作激情和优秀的创作实践能力。主题上既有中国传统文化理念,又有国际性主题视角,潮流意识,不乏有新颖题材,如有民间元素虎头帽于现代成衣的结合,有对睡眠瘫痪症状的表现,有西服与芭蕾舞裙的结合,还有源于暴力美学艺术形态的探索,还有纯结构类的创意探索。造型上有对中国传统服饰的演变,对洛可可风格的现代表现,也有解构后变异的造型,以及在成衣基础上的创意表现,注重实用性与艺术性的结合。材质表现上肌理塑造多余往年,是这一季作品的亮点,栽绒、立体饰花、面料改造等,强调细节表现力,体现了对多种主题的演绎,也反映了学生实践能力的提高。

本季毕业作品在热情与创新中带有一点华丽,一点奇特,更多是些深思熟虑下的成熟。这些年轻设计师们在时装舞台上绽放出他们青春的力量,以有形的作品表达出无形的创意。

天津师范大学美术与设计学院-马瑞枫


天津师范大学美术与设计学院-悄悄


天津师范大学美术与设计学院-田缘


天津师范大学美术与设计学院-吴彤


天津师范大学美术与设计学院-杨威


天津师范大学美术与设计学院-张萌


天津师范大学美术与设计学院-赵莹莹


天津师范大学美术与设计学院-周韵宁 


2018 Final Work Presentation of Tianjin Normal University's College of Fine Arts and Design
"Tangible and Intangible"

The 2018 Final Work Presentation of Tianjin Normal University's College of Fine Arts and Design was convened in the Workshop of Beijing 751D·PARK on May 17th, 2018. The subject of this presentation is "Tangible and Intangible", which means tangible works are provided with intangible and unlimited creative thoughts. This is also the core of design for this year's Department of Costume Art, which guides students to apply what they learnt through the four years of college in tangible works while encouraging them to take in inspiration, refine elements, develop unlimited potentiality and expand creative thoughts from diversified angles.

The development of apparel and fashion design specialty should be centered on education, scientific research, application and industrial information, and put the cultivation of students with practical capability on the first place. The diploma projects this year laid stress upon subject selection, refining of inspirational elements, excavation of implicit meaning, and actual manifestation of core spirit. They emphasized in the application and comparison of numerous materials and expressive force of details. All work presented reflected students' unlimited enthusiasm in creation and outstanding capability in creation and practice. The subjects include not only traditional Chinese cultural concepts, but also international perspectives amd trendy consciousness. There were quite a few brand-new subjects, such as the combination of folk element tiger-cap and modern ready-to-wear; the manifestation of sleep paralysis symptoms; integration of western suits and ballet skirt; exploration originated from the art forms of violence aesthetics; as well as creative sheer-structure excavations. The presented modeling included evolution of traditional Chinese attire; modern expression of rococo style; variant modeling after deconstruction; as well as the creativity performance based on ready-to-wear. Designers paid attention to the integration of practicability and artistry. With respect to fabrics, the proportion of texture molding was bigger than previous years, which proved to be the highlight of this year's works. Tufted fabric, tri-dimensional taillure and fabric reconstruction, etc., laid stress upon the performing forces of details, which not only reflected displayed numerous subjects, but reflected improved practical abilities of students.

The diploma works of this year are not only gorgeous and bizarre, but also enthusiastic and innovative with maturity under deliberateness. The young designers burst forth their power of youth on the stage and expressed intangible creativity through tangible works.

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