四川美术学院服装毕业设计作品
亮相尚坤塬•2018中国国际大学生时装周
随着尚坤塬•2018中国国际大学生时装周在北京拉开帷幕，5月14日下午17点，四川美术学院（川美）设计艺术学院服装与服饰设计专业毕业作品专场发布会在北京751D•PARK七九罐举行。此次发布会以“介入”为主题，设计艺术学院服装系共组织34名学生，68套服装作品参与发布。中国服装设计师协会主席张庆辉、副主席李超德等协会领导，我院罗力教授、苏永刚教授等教师代表、兄弟院校领导、企业代表、我校服装系全体教师、学生代表、在京校友等参加了本次发布会，并对发布作品给予了好评。
作为中国时尚教育展示与交流的最高平台，本届大学生时装周参与院校依旧保持较高的规模。据介绍，这场由近五十所中外院校、两千余名全国各地优秀毕业生参加的时尚创意盛典，聚焦新锐人才与市场对接，线下平台向线上延伸，进一步强化创意与商业氛围。
四川美术学院设计艺术学院为设计学硕士学位授权点，现设6个本科专业。建设有2个国家级特色专业、1个国家级实验教学示范中心、1个省级艺术创新工程中心、5个省级教学团队、4个省级特色专业、2个省级创新团队、1个省级人才培养模式创新实验区。学院以社会需求和教学研究为基础，坚持可持续发展理念，植根本土之源，顺应时代之变，从文化自觉意识、主动创新精神、交叉知识结构、实践应用技能四个方面，培养具有国际视野、德才兼备的创新型、复合型高素质设计人才。而川美服装设计专业距今已有六十多年办学历程，历史悠久，实力雄厚，是中国服装设计师协会授牌颁发的“十大时装名校”。川美服装专业立足于学校设计学科植根本土文化，建构中国原话语下的可持续研创体系的发展定位，以传统与现当代服饰文化、服饰艺术设计语言研究为主要内容，致力于呈现当代中华文化精神内涵与彰显中华审美风范的服装与服饰文化研究创新，确立了“以实践教学带动设计创作”的教学理念，追求在文化基因之下系统解决人类衣着需求与服饰文化、文化传统与文化时尚之间的关系。
本次川美服装毕业设计主题为“介入”，设计对于文化发展有着不可推卸的责任，它既是文化的传播者，又是文化的创造者。西部腹地拥有自身显著而独到的特点，设计对腹地的智慧变革的参与度正在不断扩大，而时尚的范畴也愈加宽广，艺术介入时尚，传统介入时尚，科技介入时尚，文化介入时尚……时尚设计也开始介入经典传承、介入社会创新、介入功能情感……在此基础上孕育而生的西部设计具有明显的地域性、民族性、多元性和活态性。我们立足于全球化的背景下，面对传统与现代、民族与世界、落后与先进等多方面的矛盾与冲突，依托传统民族文化与民间造物智慧，倾力寻求时尚设计的未来可能性。
发布会后，四川美术学院服装与服饰设计专业负责人苏永刚教授在接受媒体采访时谈到：“本次发布学生作品更趋于多元化，有同学以拥抱为主题，通过这一日常行为与礼仪名词关注到社会之间的情感矛盾，以人体关系的探讨介入创新解构设计，也表达了设计师自身的设计情感，拥抱爱人，回归内心，正式我们内心深处的情感；还有的作品以当代视觉艺术手法介入传统文化创新，围绕经典的佛像壁画，以波普式的拼贴组合，传达出对传统视觉的全新质感，而对于大量肌理创新的实验也为材质可能性的探索提供了很多路径。种种设计介入的形式，或前卫或经典，或潮流或传统，也使得我们对于依托特殊的环境背景下的川美设计如何以其敏锐的设计原话语与质感表现力，来摸索、展现这个时代的质感有了更贴近的认识。”
Diploma Projects of Sichuan Fine Arts Institute
Struck a pose on the Arena of 2018 China Graduate Fashion Week
Diploma Project Release of Sichuan Fine Arts Institute was convened in 79 Tank of Beijing 751D·PARK on May 14th, 2018. For this session of presentation, the Academy of Arts' Department of Textile and Costume Design arranged 34 students to take 68 suits of clothes designed by them to take part in the release. This release is themed of "intervention". Design is obligatory on cultural development for it is not only the transmitter, but also the creator of culture. The western hinterland is provided with prominent and unique characteristics. The degree of involvement for design in hinterland has continuously been extended. The scope of fashion has become broader. Fashion has been intervened by art, tradition, science & technology, and culture… Fashion design also begins to get involved with inheritance of classics, social innovation and emotional function… The design of west bred on this basis is thus bestowed with explicit regional, ethnic, diversified and dynamic characteristics. We spare no effort in searching for the future possibility of fashion design based on the background of internationalization and in the face of contradictions and conflicts in numerous aspects, such as between the traditional and the modern, nationality and the world, the behindhand and the advanced, etc.
Students' works presented in this release verged to be diversified. Some are themed of embrace that are concerned with emotional conflicts among the society through daily behaviors and etiquette, which get involved into innovatively deconstructive design with human relations. Works of this category express the design emotion of designers for embracing the loved ones, being true to the soul, and face squarely with the emotion at the bottom of our heart; some works intervene with the innovation of traditional culture with the technique of contemporary visual arts, which have delivered a brand new texture of traditional vision through pope-typed collage and combination centered on classical Buddha figures and wall paintings. Abundant experiments in texture innovation also provide numerous routes for the exploration in the possibility of materials. All sorts of design interventions are either forward or classical, either trendy or traditional, which also provided us with a subtler cognition on how the Institute's diploma designs investigate and demonstrate the texture of this epoch through acute original words of design and texture expression.
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